Dreams and Nightmares

Soprano MARY WILSON has been hailed as one of today’s most exciting artists, receiving consistent critical acclaim for a voice that is “lyrical and triumphant, a dazzling array of legato melodies and ornate coloratura” (San Francisco Chronicle). Opera News heralded her first solo recording, Mary Wilson Sings Handel, stating “Wilson’s luminous voice contains so much charisma,” they dubbed her recording one of their “Best of the Year.”

In consistent high demand on the concert stage, some highlights of her symphonic career include appearances with Boston Symphony Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, St. Louis Symphony Orchestra, Pacific Symphony, Nashville Symphony, Cincinnati Symphony Orchestra, St. Paul Chamber Orchestra, Detroit Symphony, Colorado Symphony, Memphis Symphony Orchestra, Buffalo Philharmonic, National Symphony of Costa Rica, Singapore Symphony, Milwaukee Symphony Orchestra, and concerts at Carnegie Hall and the Hollywood Bowl. She has frequently worked with conductors Jeffrey Thomas, Nicholas McGegan, Martin Pearlman, Martin Haselböck, Robert Moody, Carl St. Clair, JoAnn Falletta, Giancarlo Guerrero, John Sinclair, Anton Armstrong, and Leonard Slatkin.

An exciting interpreter of Baroque repertoire, Ms. Wilson has repeatedly appeared with American Bach Soloists, Philharmonia Baroque, Musica Angelica, Boston Baroque, Portland Baroque Orchestra, Grand Rapids Bach Festival, Bach Society of St. Louis, Chatham Baroque, Musica Sacra Festival de Quito Ecuador, Baltimore Handel Choir, Florida Bach Festival Society of Winter Park, Colorado Bach Festival, Sarasota Bach Festival, the Brooklyn Academy of Music, the Casals Festival in Puerto Rico, and the Carmel Bach Festival.